Main Content
17 U.S.C. § 512 (.pdf), read §§ 512(c), (d), (f), and (g)
7.2.2
http://www.law.cornell.edu/uscode/pdf/uscode17/lii_usc_TI_17_CH_5_SE_512.pdf
"42 Revenue Streams," Future of Music Coalition, skim all
10.1.2
http://money.futureofmusic.org/40-revenue-streams/
Al Kohn and Bob Kohn, "Kohn on Music Licensing, 4th Ed." (Aspen Publishers 2010) , read pp. 103-138, 159-175; skim remaining pages (.pdf)
4.2
https://canvas.harvard.edu/files/5176748/download?download_frd=1
Amanda Palmer, "The Art of Asking," TED2013 (February 2013), watch
10.1.6
http://www.ted.com/talks/amanda_palmer_the_art_of_asking.html
Amanda Palmer, "The Dirty Inbox of a Touring Musician, Revealed," blog.amandapalmer.net (May 15, 2010), read all
10.1.7
http://blog.amandapalmer.net/the-dirty-inbox-of-a-touring-musician-revealed/
Amanda Palmer, "The new RECORD, ART BOOK, and TOUR," Kickstarter (Funding Ended May 31, 2012)
10.2.2
http://www.kickstarter.com/projects/amandapalmer/amanda-palmer-the-new-record-art-book-and-tour
American University Center for Social Media, "Documentary Filmmakers’ Statement of Best Practices in Fair Use" (Issued: November 18, 2005) (.pdf)
3.9.2
http://centerforsocialmedia.org/sites/default/files/fair_use_final.pdf
Anita Wadhwani, "Hitched to a Star," The Tennessean (January 2, 2011) (.pdf)
4.1
https://canvas.harvard.edu/files/5176749/download?download_frd=1
"Artist Revenue Streams," Future of Music Coalition, skim all
10.1.1
http://money.futureofmusic.org/
ASCAP Clearance Express Database, Title Search Result, "Blurred Lines (Non-Rap Version)," Work ID #885745206, ISWC# T9131726528 (Search Performed March 12, 2015)
6.1.3
https://wiki.harvard.edu/confluence/download/attachments/159221026/ASCAP%20-%20Blurred%20Lines%20Non-Rap%20Version.pdf
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