Main Content
Loud & Clear (Spotify)
9.4
https://loudandclear.byspotify.com/
"Major Label Contract Clause Critique," Future of Music Coalition (October 3, 2001)
5.9.1
http://futureofmusic.org/article/article/major-label-contract-clause-critique
Maureen Tkacik, Krista Brown, "Ticketmaster's Dark History," The American Prospect (December 21, 2022)
8.3
https://prospect.org/power/ticketmasters-dark-history/
Melinda Newman, "Women in Music 2018 Executives of the Year," Billboard (December 6, 2018), read all
10.1
https://www.billboard.com/articles/events/women-in-music/8488600/billboard-women-in-music-executives-of-the-year-2018/
Mitch Stoltz, "The New Music Modernization Act Has a Major Fix: Older Recordings Will Belong to the Public, Orphan Recordings Will Be Heard Again," EFF (September 19, 2018)
3.7
https://www.eff.org/deeplinks/2018/09/new-music-modernization-act-has-major-fix-older-recordings-will-belong-public/
Murray Stassen, "Music Streaming Platforms Now Host Quarter of a Billion Tracks. Where Does it End?," Music Business Worldwide (January 14, 2026)
1.4.1
https://www.musicbusinessworldwide.com/quarter-of-a-billion-tracks-now-sit-on-music-streaming-services-where-does-it-end/
M. William Krasilovsky and Sydney Shemel, with Contributions by John M. Gross and Jonathan Feinstein, This Business of Music, 10th Ed. , Billboard Books (2007), read Ch. 2, “Recording Artist Contracts," pp. 14 - 28
5.1
https://canvas.harvard.edu/files/24478894/download?download_frd=1
Neil Strauss, "File-Sharing Battle Leaves Musicians Caught in Middle," The New York Times (September 14, 2003)
6.5
https://www.nytimes.com/2003/09/14/us/file-sharing-battle-leaves-musicians-caught-in-middle.html
Newton v. Diamond, Case No. 00-04909 (NM) (MANx) (C.D. Cal.), Rule 26 Expert Disclosure by Defendants Michael Diamond, Adam Horovitz, Adam Yauch, Beastie Boys, Capitol Records, Inc., Grand Royal Records, Inc., Universal Polygram Int'l Pub., Inc., Brooklyn Dust Music and Mario Caldato, Jr. (July 30, 2001), read pp. 1 - 9 and 12 - 13
2.4.1
https://hu.sharepoint.com/:b:/s/h2o/EWLyPlkEBF1Ju4m-OTLb19cBFOOsw3dP-xmDGyxV-_p5WA?e=Tg5cuA
Olufunmilayo Arewa, "From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context," Case Legal Studies Research Paper No. 04-21, 84 North Carolina Law Rev 547 (2006) (available at SSRN)
3.9.6
https://papers.ssrn.com/sol3/papers.cfm?abstract_id=633241
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