Main Content
Content from the following sources has been used in the creation of this casebook:
-
MUSIC & DIGITAL MEDIA (Spring 2019)
(First published Jan 2019)Authors:
Including material from the following sections:
- 1: INTRODUCTION: Copyright Basics and Incentives for Creation (Spring 2019)
- 2: RIGHTS FRAMEWORK AND SCOPE OF PROTECTION (1 OF 2): Musical Compositions (Originality / Similarity / Infringement / Fair Use) (Spring 2019)
- 3: RIGHTS FRAMEWORK AND SCOPE OF PROTECTION (2 OF 2): Sound Recordings (Originality / Similarity / Infringement / Fair Use) (Spring 2019)
- 4: INDUSTRY STRUCTURE AND LEGAL / BUSINESS ARRANGEMENTS (1 OF 2): Music Publishers, Publishing Agreements, Licenses, and PROs (Spring 2019)
- 5: INDUSTRY STRUCTURE AND LEGAL / BUSINESS ARRANGEMENTS (2 OF 2): Record Companies, Record Deals, and Master Use Licenses (Spring 2019)
- 6: ANTI-PIRACY AND RIGHTS ENFORCEMENT: Intermediaries, the DMCA Safe Harbor, Individual Infringers, and New Legislative Efforts (Spring 2019)
- 7: DIGITAL SALES AND DISTRIBUTION (1 of 2): Streaming Media, New Digital Services, and Emerging Digital Business Models (Spring 2019)
- 8: DIGITAL SALES AND DISTRIBUTION (2 OF 2): Revenues and Accounting Practices, Transparency in Royalty Accounting, Rightsowner Identification, Rights Registries, and Challenges to the Licensing Paradigm (Spring 2019)
- 9: CHALLENGES TO THE PARADIGM: Law, Policy, and Business Transformations in the Digital Age (Spring 2019)
- 10: THE MUSIC MODERNIZATION ACT (Spring 2019)
This book, and all H2O books, are Creative Commons licensed for sharing and re-use with the exception of certain excerpts. Any excerpts from the Restatements of the Law, Principles of the Law, and the Model Penal Code are copyright by The American Law Institute. Excerpts are reproduced with permission, not as part of a Creative Commons license.