Change history
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April 11th, 2024
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Removed "42 Revenue Streams," Future of Music Coalition, skim all from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed "Artist Revenue Streams," Future of Music Coalition, skim all from MUSIC & DIGITAL MEDIA (Spring 2024)
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Added Cherie Hu, "How Technology Has Transformed, And Complicated, Music Fandom: Interview With Nancy Baym," Forbes (July 26, 2018)
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Removed Matthew Ismael Ruiz, "Union of Musicians and Allied Workers Launches ‘Justice at Spotify’ Campaign," Pitchfork (October 27, 2021) from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed “5 Notes from a Quiet Year: How Music Survived the Pandemic,” The New York Times (March 11, 2021) (includes Damon Krukowski, “We Couldn’t Tour. So We Started a Union”), read all from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed Kevin Gray, "Kobalt Changed the Rules of the Music Industry Using Data -- And Saved It," Wired.co.uk (May 1, 2015) from MUSIC & DIGITAL MEDIA (Spring 2024)
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April 3rd, 2024
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February 28th, 2024
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February 25th, 2024
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February 15th, 2024
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Edited Form / Template "360 Deal," focus on Pars. 10 - 14, skim remaining provisions
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Edited M. William Krasilovsky and Sydney Shemel, with Contributions by John M. Gross and Jonathan Feinstein, This Business of Music, 10th Ed. , Billboard Books (2007), read Ch. 2, “Recording Artist Contracts," pp. 14 - 28
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Edited Anita Wadhwani, "Hitched to a Star," The Tennessean (January 2, 2011) (.pdf)
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February 6th, 2024
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Removed Comments of EFF in Response to Notice of Inquiry: Federal Copyright Protection of Sound Recordings Fixed Before February 15, 1972 (January 31, 2011) (.pdf), read pp. 2 - 4; 10 - 17 from MUSIC & DIGITAL MEDIA (Spring 2024)
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Edited Al Kohn and Bob Kohn, "Kohn on Music Licensing, 4th Ed." (Aspen Publishers 2010) , read pp. 103-138, 159-175; skim remaining pages (.pdf)
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Edited EMI v. Premise Media, Index No. 610209/08 (NY Sup. Ct., NY Co.), Order (August 13, 2008) (.pdf), read pp. 1 - 3; 6 - 19
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Removed United States Copyright Office, "Federal Copyright Protection for Pre-1972 Sound Recordings: A Report of the Register of Copyrights," Executive Summary (December 2011) from MUSIC & DIGITAL MEDIA (Spring 2024)
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January 20th, 2024
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January 15th, 2024
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January 14th, 2024
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Removed Neil W. Netanel, "Copyright and the First Amendment; What Eldred Misses - and Portends," from Neil Weinstock Netanel, Copyright and Free Speech: Comparative and International Analyses, Oxford University Press (2005) (available at SSRN) from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed Cornell University Library, Copyright Services: "Copyright Term and the Public Domain" from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed OPTIONAL READINGS from MUSIC & DIGITAL MEDIA (Spring 2024)
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Added Eldred v. Ashcroft
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Added United States Constitution, Article 1, Section 8, Clause 8
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Removed Glee Funhouse, "Glee - Baby Got Back (Full Performance)" (Nov 9, 2017) (video) from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed Jonathan Coulton, "Baby Got Back," YouTube (Uploaded by YouTube User Enzemo, January 12, 2009) (video) from MUSIC & DIGITAL MEDIA (Spring 2024)
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Added Spotify, "Modernizing Our Royalty System to Drive an Additional $1 Billion toward Emerging and Professional Artists," Spotify.com (November 21, 2023)
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Added United States Copyright Office, "Musical Works, Sound Recordings, and Copyright"
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Removed Michele Catalano, "Jonathan Coulton vs. Glee: It's About the Ethics," Forbes (January 27, 2013) from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed Rick Carnes, "Has Music Piracy Killed the 'Recording Artist'?," The Huffington Post (January 3, 2011) from MUSIC & DIGITAL MEDIA (Spring 2024)
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Removed Lawrence Lessig, Remix, Bloombsbury Academic (2008) (CC BY-NC 3.0), Ch. 1, "Introduction" from MUSIC & DIGITAL MEDIA (Spring 2024)
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Edited Steve Knopper, "Labels Want to Prevent ‘Taylor’s Version’-Like Re-Recordings From Ever Happening Again," Billboard (October 30, 2023)
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January 2nd, 2024
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Casebook first published.
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